Cine y Televisión

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La parentalidad en el cine documental animado contemporáneo
Díaz, Cristian; Guavita, Javier; González, Nicolás; Galindo, Yamid
The main objective of the document is to identify the aesthetic, technical and narrative characteristics of contemporary animated documentary to use them in a short animated documentary on the theme of parenting. To carry out this, the appearance of the animated documentary and its milestones in the history of cinema were identified to know its origin and the most representative works of this genre in its passage through the decades. The concepts of the documentary were defined based on secondary sources of information, taking Bill Nichols as the main reference. The types of parenting that exist from Colombian society were determined, information provided by the National Planning Department (DNP) and from the book The invisible challenges of being a mother or father among other study texts of the Colombian family, determining the types of parenting that exist and expose one or more in the making of the animated documentary. All this research is done to make an animated documentary short film based on the aesthetic, technical and narrative tools established in the research together with the types of parenting of the Colombian family chosen from case studies selected as main characters of the history.
Análisis contextual de la obra cinematográfica de Franco Lolli y su relevancia dentro de la historiografía del cine colombiano.
Prada-Flórez, Juan Felipe; Ávila-Arias, Cristhian Miguel
The objective of this document is to carry out a contextual analysis of the work of the Colombian filmmaker Franco Lolli, in order to locate his work and artistic vision in the historiography of national cinema, for this, in principle, extensive documentation is developed on Colombian cinema and its most recurrent themes throughout its cinematographic history, likewise, analyze the relevance of the term “auteur cinema” in the local context and the principle of self-referentiality, since they are factors that must be taken into account when to analyze an author like Franco, intimate and personal. From this, the study of the different canons, narrative and stylistic classifications that Colombian critics and theorists have dared to launch will be carried out. Finally understand his role and his particular style within the new narratives of Colombian cinema deeply intimate with his creator; with characteristics typical of an auteur cinema, which are evidently reflected through its deepening of characters; the importance that this author has had in terms of the propulsion of Colombian narratives, from other points of view, and how his personal style is located as a unique voice within the historiography of Colombian cinema.
El condicionamiento del color en el cine. Una aproximación a las estereotipaciones
Mayorga Bolivar, Diego Alejandro; Jiménez Prieto, Juan Pablo; Ordoñez Amado, Julián Felipe; Figueroa Sandoval, Hernán Andres; Pinilla, Oscar
This degree work aims to find a way to stereotype the people who live or work in the street through the color of the characters and the cinematography, based on a film that is a reference of the Colombian cinema and using the method of Análisis Cinematográfico Integral, to identify the aspects that are important when we face the challenge of how to characterize these characters. Once we finished the analysis, we will apply it to our short film La Calle Octava.
El posconflicto armado en Colombia representado en Proyectos transmedia: Escape De Palma Larga
Cortés-Díaz, Juan Felipe; Negrete-Chiquiza, Saray Vanessa; Casas-Pulido, Johan Alexander; Monje-Abril, Daniel Enrique
Over the years and after the pandemic caused by Covid-19, audiovisual creation and the way in which productions are disseminated and consumed has been evolving, innovating and even integrating with different media and formats, resulting in new ways of telling stories and the growing boom of transmediality; this research seeks to define what transmedia is and how it differs from other similar terminology, as well as to delimit what we understand by conflict and post-conflict in order to focus on exploring how these new formats address and/or could address a topic that has been essential in the history of audiovisual productions in Colombia.
Una mirada a la migración propia en Colombia representada en las obras cinematográficas “la tierra y la sombra” y “detrás de las montañas”
Ardila Gil, Sebastián Alejandro; Garzón Chivará, Carlos Humberto; Irreño Pinilla, Thomas; Bautista Mondragón, Natalia; Galindo Cardona, Yamid
The process of internal migration in Colombia has been a topic of great relevance since the beginning of its boom in the 50s; the cinema, in its role as a mirror that reflects the reality of society, has been commissioned to portray this phenomenon as of its arrival in the country. In the first part of the present investigation, the young adult is recognized as the main Colombian migrant and the lack of opportunities and internal conflict are identified as their main motivations when making the decision to migrate; Second, a list is made of the main Colombian films that talk about this topic and finally, the way in which this situation has been portrayed is explored, going into an even more specific analysis of one of the most successful films in the world. last decade, "Earth and the Shadow", comparing its migratory aspects as a case study, with the short film of our authorship, "Behind the Mountains".
La empresa audiovisual, un paso por el emprendimiento, la creatividad y la administración
Vargas Martínez, Andrés Mauricio; Garzón Muñoz,Angélica María
In the present study, the positioning of an audiovisual company is evaluated through an entertainment product in a local market such as Bogotá, through a series of interviews carried out to two of the most influential creative content producers in the country. The characteristics of administrative, creative type, the advantages and disadvantages of production are examined according to the contents of each company, be cinema, advertising or video clips. The analysis data suggest that each company has its own entrepreneurship career according to their needs and possibilities, presented the financial bases and the quality of the content created as reference items to be effective in penetrating the markets. Specific results of the analysis are proposed and validated as effective production routes for cultural and creative entrepreneurship.
Modelos de financiación usados por productores en largometrajes colombianos contemporáneos: un estudio de caso
Ariza Orozco, Maria Fernanda; Romero Lopez, Valentina; Garzón Muñoz,Angélica María
The main objective of the research is to identify and analyze the different financing models used by contemporary film producers in Colombia. The case study will be the main tool to achieve the results of documenting and generating a funding model for a university film project. This in order to relate business to film, and reflect on how funding generates an impact on the Colombian film industry.
Análisis de la dirección de actores naturales en Instantáneo, cortometraje de ficción.
Gómez Valencia, Laura Andrea; Mahecha Gamba, Dumar Ivan; Combariza Castañeda, Angélica Lorena; Aguirre Rojas, Juan Sebastian; Aristizábal Santa, Johnnier Guillermo
Our research work makes an approximation to the direction of actors in Colombia, emphasizing the development of the management of natural actors and the application of it in a fiction short film. To make the investigation clear We will expose through an approach to the history of Colombian cinema, highlighting the way in which certain types of action appear. Then there will be a review of the concepts which are useful for the process of directing actors. And finally it will be presented a reflection on the direction of actors with the aim of analyzing how this was process in our Instant short film to finally define if it is possible to create a stakeholder management strategy to serve as a guide for future interested filmmakers in the field of natural acting.
La hibridación en el cine contemporáneo de Colombia
Diaz Cruz, Edgar Camilo; Segura Rubiano, David Esteban; Galindo, Yamid
The present investigation develops the concept of hybridization in cinema, understanding the historical, narrative and aesthetic impact that this trend has on cinematography. To level we can identify that it is a very substantial resource at the time of questioning the cinematographic language, since it has been used many times for the creation of speeches political, economic and social issues that break boundaries between genres and formats, mainly between fiction and documentary. Hybridization understood as a resource of cinema, research deepens on its definition at present, it is then defined that this term is part of postmodernism as a discourse that has the ability to reinvent the canons of contemporary production by joining formats, genres and styles in the same film. In the cinema of Colombia, you can contemplate several authors and works that are part of this definition of Hybridization, films like A paper tiger, Carne and Pariente, are examples of which we We support to make an analysis and locate the cinematographic hybridization in our country.
Wong Kar-Wai, el estudio de la significación dentro del discurso cinematográfico
Cuervo Bernal, Daniel E.; Florez Mausa, Nicolas
It's wanted to know or have an approach to a definition of the term sign into a film speech, which can be used to identify different significance levels inside a story and how they can go deeper in these tools and non-explicit ways to produce an audiovisual project. Through an analysis of two master-pieces of the well-known director Wong Kar-Wai, is meant to reach this goal.
El naturalismo y el realismo como estéticas en la fotografía cinematográfica del cine colombiano contemporáneo (proyecto de investigación del cortometraje “Tierra de colores”)
Román Infante, María Fernanda; Vanegas Granados, Yesika Julieth; Vargas Harker, Oscar Alberto; Rojas Cervantes, Darío Enrique
The final objective of this research is to identify and explain the characteristics of naturalism and realism within the cinema through the visual analysis of a specific selection of Colombian films. To achieve this, a brief recount of the two artistic concepts must be made, so that their appearance in the history of the arts, their characteristics and the integration of these currents in the cinematographic trade is reviewed. As a result we obtain a series of particularities in the audiovisual realization that are based on naturalism and realism, these particularities are subsequently used as a kind of tools to carry out the analysis of the selected films. Finally, once the analysis is done, we want to propose a series of guidelines that facilitate the creation of a visual aesthetic in cinematographic photography of any audiovisual product that wants to establish its visual style based on the two artistic concepts that are the focus of the investigation.
Análisis del cortometraje “encuentro con el olvido” a través de la metodología de Andrés Vélez en el libro “La república noir”
Guzman Valbuena, Monica Daniela; Achury Ospina, Alejandro; Torres Pedraza, Juan David; Aristizábal, Johnnier Guillermo
In this research monograph the theme to develop is the analysis of the short film "Encuentro Con El Olvido" from the methodology of the Colombian author Andrés Vélez in his book "The Republic Noir, Colombian Criminal Cinema (2000-2012)" to carry out this process is important to know the characteristics, contexts, relevant aspects among them subgenres, narrative, aesthetic and genre history from literature to cinema, in Europe, North America and Colombia. We start from knowledge and personal experience in creation along with the development of the aforementioned short film to enter the world of Cine Noir or Black Cinema, added to this the experience with other cinematographic products that are part of of the genre. In this way we recognize features and characteristics that guide us to this investigation. Once the history, the concepts and characteristics of the genre are presented, the Study matrix proposed by Andrés Vélez which we use as a pedagogical resource for analyze the "Encounter With El Olvido" and see in each of its components if this is part of the genre.
La representación de los jóvenes y la violencia urbana en el cine colombiano del año 2015 al 2020. Una aproximación desde la narrativa y construcción de personajes.
Salgado-Ordoñez, Nicol Vanessa; Acosta-Muñoz, Elkin Mateo; Romero-Torres, Natalia Yinet; Galindo-Cardona, Yamid
Starting from watching colombian cinema and noticing some recurrent topics on this one, a doubt came out. How urban violence has been represented as, of the screenplay and the building of young marginalized characters on colombian cinema? To answer this question we made a research of the most recurrent topics like: urban violence, marginality and colombian youth, it was proposed a qualitative investigation, and a methodology with these next approaches: historical, descriptive, quasi-experimental. Thus it was made a detailed analysis of young marginalized characters on this cinema, where three movies with these characteristics, which were broken down on phases to get to know every character. Based on this results an screenplay and a short film constituted with al these characteristics were made, finding different conclusions that came our on the creation process and that also helped to understand this kind of cinema and it’s importance for colombian culture.
Infancia y violencia urbana: Una mirada al Realismo Sucio y el cine colombiano, 1998 - 2015. Animatic - El Refugio
Alarcón-Barrios, David Leonardo; Tapias-Herrera, Karen Samira; Galindo, Yamid
This research focuses on identifying aesthetic and narrative characteristics influenced by Dirty Realism as an artistic current, present in Colombian cinema, in which the concepts of childhood and urban violence intertwine to create a hostile urban context that is most likely possible.
Entre lo fantástico y lo independiente: Una aproximación a los modelos de producción de bajo presupuesto.
López Hernández, José Arnold; Samacá Romero, Wendy Vanessa; Arias Bohóquez, Daniel; Vargas Lemus, Wilmer Alfonso; Aristizábal, Johnnier
The problematic approach for the production of fantasy projects from the contemporary industries of Colombian cinema, questions the production standards and the development of productions in the country as, for feature lengths as short films; for that, it searches an alternative in the low-budget and the elements that compose it, drawing up an extended historical, theoretical and technical analysis of the national and international cinematographic production, follow by the complementation with the manage concepts within the cinematographic production and his different phases, finding the best strategies and models that are mating to the creation of a new one, that can be linked to short films of professional nature without losing technical and/or artistic quality, which are reflected in the memories and the narrations of the team work, as well as the learning acquired in practice during the filming of "La Siembra", determining the conditions that favor or make difficult low-budget productions at an artistic and technical level, as well as the respective self-evaluation of the final result.
Desdibujar y dibujar el relato oral: análisis del proceso de traducción intersemiotica en la obra de docuficción de Rubén Mendoza
Ferro-Gómez, Ana María; Aguirre-Cuadros, Luisa Fernanda; Orbegozo-Albarracín, Michael Stiven; Olarte-Arciniegas, Cristian Erney; Galindo Cardona, Yamid
The main objective of the text is to establish an intersemiotic translation model applicable to short and long-term cinematographic projects that have oral testimonies as a starting point and wish to take them to the film. In order to carry out this process, theories of analysis of both the story and the intersemiotic translation were identified; that were applied to creative processes already carried out such as Rubén Mendoza Tierra's films in the Language and Silvio's notebooks and in the process of creating the short film Pigs. This structuring defines an analytical and information compilation of those who provide their life or testimony and from this it is possible to understand the process of representation of reality, understanding that the translations of systems do not generate a fidelity of the story on the screen, but allow to maintain From the symbols, icons and signs similarities with the collected testimony.
Arquitectura de los sueños: análisis y deconstrucción del montaje en secuencias oníricas
Villalobos-Criollo, Luis Alejandro; Carvajal-Osorio, Maria Camila; Moreno-Real, Nicolas; Rodriguez-Pardo, Alisson Paola; Aros, Andrés
The problem of the exercise of assembling dream sequences without having a guide or manual, is the basis that serves to research to find resources, characteristics and elements that share dream sequences chosen from the films: Sherlock Jr. (Buster Keaton, 1924), Jacob's ladder (Adrian Lyne, 1990) and Eternal sunshine of the spotless mind (Michel Gondry, 2004), based on the analysis obtained from the text " Film analysis: A comprehensive methodological approach” by Aristizabal and Pinilla in conjunction with the texts "the deaths of Colombian cinema" by Oswaldo Osorio and "the cinematographic montage" by Joan Marimón, which is reflected in the creation of a technical orientation framework, the content of which can be applied in any audiovisual sequence with dreamlike or dreamlike characteristics. Taking the adaptation of this framework as an example, the university short film Ópera prima, will be the starting point for a reflection on the practical creation of montage supported by a text.
Análisis de series animadas norteamericanas como medio de entretenimiento para audiencias adultas
Juyó-Pinzón, Brenda Rocio; Circa-Rodríguez, Sebastian Camilo; Rojas Cervantes, Darío Enrique
In this monograph, an analysis of North American animated series for adults is carried out, with the aim of deepening the audience, gender, technique, content and at the same time the influence they generate in society, focused on identifying each of the narrative and aesthetic characteristics that are normally found in projects aimed at this type of viewers, this through research and analysis of content that is highly relevant to their adult audience and immediately implemented satisfactorily in a new animated production that serves as an example to When it comes to breaking down the elements that determine that a project must censor the child population when it comes to classifying the contents by age, in this case it is "Los Sallen", a new animated series using the stop technique. motion that is set in a dark and peculiar universe where what predominates is blood and violence.
Agarrando pueblo y Un tigre de papel: acercamiento a la realidad a través del falso documental
Martinez Cruz, Brayan Stiben; Mahecha Donato, Lizeth Tatiana; Soler Daza, Laura Milena; Galindo Cardona, Yamid
The research project is based on the search for the language of the mockumentary with the purpose of analyzing the national films, Agarrando pueblo and Un tigre de papel, for further reflection on the relationship of the genre with Colombian cinema trying to create own concepts that arise in this culture.
Análisis De La Dirección De Arte Y La Construcción De Personajes En El Entorno Rural Y Campesino De Los Cortometrajes Los Retratos -2012- Completo -2013- Y Volver -2015 De Iván D. Gaona.
Orjuela-Yara, Lina Milena; Roa-Morales, Laura Camila; Galindo-Cardona, Yamid
In this work, an analysis is carried out on three short films by the Colombian director Iván D. Gaona titled Los Retratos (2012), Completo (2013) and Volver (2015), short films whose main theme is rurality in Colombia, where we identify and analyze the forms and/or elements used. the director to achieve an adequate representation of peasant culture from the art direction and the construction of characters, with the aim of contributing to the creation of audiovisual projects that have rural themes and the representation of peasant culture as their aspiration, and managed to solidly portray the reality of peasants outside the traditional narrative about the armed conflict in their audiovisual projects. In this way, we also demonstrate the approach to peasant life from a narrative with a perspective oriented to the daily life of that culture, from the dignity of their work with the land and subsistence thanks to it.

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