Cine y Televisión

Permanent URI for this collectionhttps://repositorio.uniagustiniana.edu.co/handle/123456789/39

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Tendencias Digitales: Verticalidad y Microrrelatos en el Formato Audiovisual Actual (2019–2024)
Robert Nicolás González Chaves; Alberth Gustavo Rivadeneira Correa; Diego Alexander Herrera Romero; Johnnier Aristizábal
This research addresses digital trends and micro-stories in the current audiovisual format during the period 2019–2024, with emphasis on the evolution of the internet up to the present day. The objective is to understand how this development gave rise to social media now an essential part of global social communication and to the narrative and aesthetic particularities that emerged within these platforms. In the analysis of the problem, it was necessary to mention the origin of the internet, the emergence of social media, and the formats created through their interfaces, together with the types of videos present on these platforms and the birth of the vertical format, which generates new narratives for users and consumers within the virtual network. After analyzing the evolution of each of these formats, it was possible to connect how the internet expanded its platforms to provide a more personalized experience for both creators and consumers. Finally, the consolidation of the vertical format encouraged audiovisual creators to reinvent the way content is produced for different social media platforms, innovating storytelling methods in just a few seconds, which gave rise to micro-storytelling.
Autoetnografía para la creación del videoclip “La Vida” de la banda Los Cocoa
Lamus-Gómez, Eric Leonardo; Cifuentes-G., Andrea
This document describes the creative, aesthetic, and logistical process behind the music video "La Vida" by the band Los Cocoa, addressing essential topics such as production challenges, art direction, cinematography, editing, and interdisciplinary collaboration for an academic project, all through an autoethnographic lens. It will explore many of the existing arguments, including creative decision-making and technical obstacles that affected both the final result and the relationships with the band, considering their approach from director to final product. This document also includes a critical reflection on the experience, the learning outcomes, and the challenges that arose during production and while working with a team, considering an academic rather than a real-world context. This was done with the aim of contributing professionalism and dedication without any profit motive. The sole justification was to learn more and more.
Representación de la discapacidad visual en el cine de drama contemporáneo a través de las películas, La mujer milagro (1931), Ray (2004) y 23 Blast (2013)
Sarmiento-Moreno, Julián David; Galindo, Yamid
The central objective of this document is to analyze and determine the narrative and photographic characteristics that allow us to see how visual impairment has been represented in contemporary drama films such as Miracle Woman (Capra, 1931), Ray (Hackford, 2004), and 23 Blast (Baker, 2013), in order to arrive at a concrete and accurate application of this perspective to the animatic "Deja Vu." This research reveals the support and resources available to people with visual impairments, highlighting the inconsistent and inconsistent forms of social inclusion they have faced. Miracle Woman (Capra, 1931) is one of the first representations of visual impairment in contemporary drama cinema. Since then, several films have applied diverse techniques and stories to show us the difficulties they face in their daily lives and their development of personal growth in society. In addition to analyzing the films Ray (Hackford, 2004) and 23 Blast (Baker, 2013), we will also analyze them to improve our understanding of the topic and thus be able to apply the characteristics and results found in the proposed cinematography and narration of the animatic "Deja Vu".
La inteligencia artificial y su impacto en los procesos creativos de la dirección de fotografía en producciones audiovisuales independientes en Bogotá (2020–2025)
Parra-Herreño, Henry Daniel; Niño-Mora, David Santiago; Ronald-Gonzalo, Espitia Sánchez
This work analyzes the impact of artificial intelligence (AI) on the creative processes of cinematography in independent audiovisual productions in Bogotá between 2020 and 2025. The research stems from the accelerated growth of AI-based tools such as automated color correction systems, virtual production, image generation, and lighting simulation, and how these have begun to be integrated into independent contexts, traditionally limited by technical and budgetary resources. The study posits that cinematography has undergone a profound transformation, shifting from a role focused exclusively on image capture (light, camera, and composition) to an expanded and hybrid one, where the cinematographer interacts with algorithms, virtual environments, and automated systems throughout the entire production process, from pre-production to post-production. Using a qualitative and exploratory approach, the research combines a theoretical framework, case studies, and data collection through interviews and surveys administered to students, professors, and professionals in the field. International case studies such as The Mandalorian, which exemplifies the advanced integration of AI and virtual production, are analyzed, as well as independent experiences like GusanoFilms and emerging Colombian productions, where AI is adopted creatively and strategically with accessible tools. The results demonstrate that AI does not replace the human perspective, but rather acts as a creative assistant that optimizes workflows, reduces time, and expands aesthetic possibilities.
Creación y producción de un videoclip de rock alternativo, de la banda colombiana Valor Oculto para su segundo single; Ser Libre.
Negrete-Martínez, Angely Tatiana; Navas-Urbina, Liz Karen Adriana; Quiñones-Ardila, Javier Estiven; Romero-Bonilla, Oscar Yobany
In Colombia, the music video has gone beyond its promotional function to become a medium of artistic and cultural expression, especially within the rock genre, where bands have used visual language to tell stories, highlight social issues, and build a distinct identity for their audience. This project focuses on the development of the music video Ser Libre by the band Valor Oculto, whose main objective is to convey a message of freedom and free expression. To achieve this, an audiovisual proposal is developed that not only accompanies the music but also enhances its meaning through a narrative and aesthetic coherent with the genre and the artistic intentions of the performers. The project addresses the creation and production process of the music video, beginning with research into aesthetic and narrative references from Colombian and international rock music. Based on the analysis of precedents in Colombian rock music videos, visual, technical, and narrative elements are identified to build a solid and original proposal. Finally, the document organizes the development of the project into different phases, ranging from the definition of the creative problem to the final execution, with the aim of delivering a professional-quality audiovisual product that strengthens the band’s visual identity and contributes to the landscape of rock music videos in the country.
Análisis De La Dirección De Arte Y La Construcción De Personajes En El Entorno Rural Y Campesino De Los Cortometrajes Los Retratos -2012- Completo -2013- Y Volver -2015 De Iván D. Gaona.
Orjuela-Yara, Lina Milena; Roa-Morales, Laura Camila; Galindo-Cardona, Yamid
In this work, an analysis is carried out on three short films by the Colombian director Iván D. Gaona titled Los Retratos (2012), Completo (2013) and Volver (2015), short films whose main theme is rurality in Colombia, where we identify and analyze the forms and/or elements used. the director to achieve an adequate representation of peasant culture from the art direction and the construction of characters, with the aim of contributing to the creation of audiovisual projects that have rural themes and the representation of peasant culture as their aspiration, and managed to solidly portray the reality of peasants outside the traditional narrative about the armed conflict in their audiovisual projects. In this way, we also demonstrate the approach to peasant life from a narrative with a perspective oriented to the daily life of that culture, from the dignity of their work with the land and subsistence thanks to it.
Análisis contextual de la obra cinematográfica de Franco Lolli y su relevancia dentro de la historiografía del cine colombiano.
Prada-Flórez, Juan Felipe; Ávila-Arias, Cristhian Miguel
The objective of this document is to carry out a contextual analysis of the work of the Colombian filmmaker Franco Lolli, in order to locate his work and artistic vision in the historiography of national cinema, for this, in principle, extensive documentation is developed on Colombian cinema and its most recurrent themes throughout its cinematographic history, likewise, analyze the relevance of the term “auteur cinema” in the local context and the principle of self-referentiality, since they are factors that must be taken into account when to analyze an author like Franco, intimate and personal. From this, the study of the different canons, narrative and stylistic classifications that Colombian critics and theorists have dared to launch will be carried out. Finally understand his role and his particular style within the new narratives of Colombian cinema deeply intimate with his creator; with characteristics typical of an auteur cinema, which are evidently reflected through its deepening of characters; the importance that this author has had in terms of the propulsion of Colombian narratives, from other points of view, and how his personal style is located as a unique voice within the historiography of Colombian cinema.
El delincuente romántico y la ritualidad en la ficción criminal asiática.
Martínez-Rodríguez, David; Duque-Alonso, Andrés Nicolás; Daraviña-López, Harold; Aros, Andres Mauricio
The present investigation delves into the concept of romantic criminal related in turn to rituality within criminal fiction. For this, the Asian filmography of countries such as Japan, Korea and Hong Kong is taken as a starting point, thus establishing parallels between the crime fiction of these countries and the audiovisual product to be developed. On the other hand, we delve into the ritual dynamics found within Asian criminal cinema, thus analyzing the connection between crime, devotion, rituality and the profile of the romantic criminal. All of the above analyzed from the dissection of the black genre.
Representaciones y Dificultades en la Infancia, a Través de Tres Ejemplos Cinematográficos: Gente de Bien (2014), Las Notas de Camila (2015) y la Noria (2019)
Pulido-Rodriguez, Francy Daniela; Mayordomo, Rubén Darío; Reina, Camilo
The objective of this research is to analyze the difficulties of childhood from three cinematographic references, as a basis for the 3D animated short film known as Elkin, which aims to represent a child of limited resources, who finds a way to get ahead with his mother, from whom he inherits the ability of resilience and understanding of how to do things well in life. At the same time, the script rescues important concepts such as childhood and how it is affected by certain characteristics of his environment, as well as particularities from various technical aspects of the production in light of the chosen Latin American films and short films that in the end will feed Elkin's story. In this way, joining the concepts seen in the following research, we want to take advantage of the power of animation and generate a conversation towards the reality shown with Elkin
El posconflicto armado en Colombia representado en Proyectos transmedia: Escape De Palma Larga
Cortés-Díaz, Juan Felipe; Negrete-Chiquiza, Saray Vanessa; Casas-Pulido, Johan Alexander; Monje-Abril, Daniel Enrique
Over the years and after the pandemic caused by Covid-19, audiovisual creation and the way in which productions are disseminated and consumed has been evolving, innovating and even integrating with different media and formats, resulting in new ways of telling stories and the growing boom of transmediality; this research seeks to define what transmedia is and how it differs from other similar terminology, as well as to delimit what we understand by conflict and post-conflict in order to focus on exploring how these new formats address and/or could address a topic that has been essential in the history of audiovisual productions in Colombia.
Edición y difusión de contenidos en la aplicación Kwai para la empresa Faroc producciones
Circado-Gómez, Roxana Daniela; Reina, Camilo Arturo
This research report aims to improve the quality, design and relevance of the content to be disseminated in the Kwai application through audiovisual montage, which stands out from the competition and meets the expectations of the target audience, in order to have a positive impact on the company Faroc productions. Understanding the impact of the internet and how new forms of communication have emerged, such as social networks and applications like Kwai, where video editing plays a fundamental role in the growth of the Faroc productions company. This report details key aspects of video editing in Kwai, such as the use of vertical format, the inclusion of special effects and music. In addition to technical skills, the importance of communication and collaboration in the editing process is emphasized. During the internship, editing tasks were carried out on various Kwai accounts, each with different cinematographic focuses. It highlights the need to stay on top of trends and experiment with different styles and formats to stay relevant.
Revolución, artista y libertad. El nadaísmo en Colombia en los años 60´s una aproximación desde el documental poético.
Esguerra-Arévalo, Andrea Catalina; Montenegro-Quintero, Andrés Felipe; Galindo-Cardona, Yamid
The purpose of this research is to describe the principles and aesthetic characteristics of Nadaísmo, a movement created in Colombia in the 60's, where it is revealed what it consists of and how it can be applied to the making of a poetic documentary, in both cases. avant-garde artistic movements, which seek to break with the established and/or traditional standards of the context in which they are located, for this a series of cinematographic analyzes were carried out on three non-fiction films; Tren de sombras (Guerin, 1997), María (Grau, 1966) and Paraíso (Guerrero, 2006), in order to study and learn about their cinematographic and thematic narrative characteristics, which will be interpreted and used in the short A Wrong Man , which manages to demonstrate in the first place, how both are born from the concerns and doubts of being and the way in which it is perceived from the complexities of making unusual artistic content and how art ends up being a reality-transforming tool that represents these postures in the spectators.
Las posibilidades narrativas del videoclip animado en Colombia enfocado en el género rock entre los años 2017 y 2020
Ávila-Vanegas, Nicolás Steven; Beltrán-Ortiz, Fabio Alejandro; Vargas-Velandia, Mateo Rene; Zorro-Melo, David Johan Sebastian; Galindo-Cardona, Yamid
This investigation born from the desire to know and understand the music videos for use the information obtained throughout the documente and to be able to create an audiovisual piece with this features, to enhance it thanks to the intrinsic components of animation. To do this, it takes four reference videoclips to make an in-depth analysis of the construction of all of them, both in the used technique for their visual esthetics, as the development of its own narrative. Based on the knowledge gained from the investigation, the production team is going to focus on the execution of the music video named Twenty Four, which will make use of 2D and 3D animation techniques for its visual creation based on the representation of the life of the artist Luke MacRoberts into the principal character from this history and the evolution of this one through the events of the same one.
La representación de los jóvenes y la violencia urbana en el cine colombiano del año 2015 al 2020. Una aproximación desde la narrativa y construcción de personajes.
Salgado-Ordoñez, Nicol Vanessa; Acosta-Muñoz, Elkin Mateo; Romero-Torres, Natalia Yinet; Galindo-Cardona, Yamid
Starting from watching colombian cinema and noticing some recurrent topics on this one, a doubt came out. How urban violence has been represented as, of the screenplay and the building of young marginalized characters on colombian cinema? To answer this question we made a research of the most recurrent topics like: urban violence, marginality and colombian youth, it was proposed a qualitative investigation, and a methodology with these next approaches: historical, descriptive, quasi-experimental. Thus it was made a detailed analysis of young marginalized characters on this cinema, where three movies with these characteristics, which were broken down on phases to get to know every character. Based on this results an screenplay and a short film constituted with al these characteristics were made, finding different conclusions that came our on the creation process and that also helped to understand this kind of cinema and it’s importance for colombian culture.
ANÁLISIS DE ESTRATEGIAS DE MARKETING PARA LA FINANCIACIÓN DE UN PROYECTO DE SERIE DOCUMENTAL UNIVERSITARIO
Gonzalez, John; Infante, Danny; Gonzalez, Luis; Arias, Linda; Gonzalez, John
From this thesis a deep research on content marketing and how its application could be useful in the viability of audiovisual projects of university content, research is done on different projects that have been successful in the national industry and university projects that have done well on different platforms, to understand the concepts and what you must have to present in a national call both public and private and finally apply it to a documentary series such as "Trazos de vida" that seeks to be viable within the public channels. Translated with www.DeepL.com/Translator (free version)
La parentalidad en el cine documental animado contemporáneo
Díaz, Cristian; Guavita, Javier; González, Nicolás; Galindo, Yamid
The main objective of the document is to identify the aesthetic, technical and narrative characteristics of contemporary animated documentary to use them in a short animated documentary on the theme of parenting. To carry out this, the appearance of the animated documentary and its milestones in the history of cinema were identified to know its origin and the most representative works of this genre in its passage through the decades. The concepts of the documentary were defined based on secondary sources of information, taking Bill Nichols as the main reference. The types of parenting that exist from Colombian society were determined, information provided by the National Planning Department (DNP) and from the book The invisible challenges of being a mother or father among other study texts of the Colombian family, determining the types of parenting that exist and expose one or more in the making of the animated documentary. All this research is done to make an animated documentary short film based on the aesthetic, technical and narrative tools established in the research together with the types of parenting of the Colombian family chosen from case studies selected as main characters of the history.
La aplicación de las herramientas transmedia para la creación de la serie web de ficción rural en Colombia Historias Con Sombrero Capítulo piloto: Isabel
Benavides-Lopez, Maria Alejandra; Hernández-Barrios, Natalia Valentina; Hernández-Niño, Edwin; Galindo, Yamid
Audiovisual creation has been evolving, innovating, and integrating into new ways of telling stories, proof of this is the convergence in new and traditional media, from this process the term transmedia appears, in this research a concrete definition of everything that encompasses the transmediatic phenomenon and the different tools in the expansion of stories will be given. To thoroughly analyze these elements, the research takes as a basis of analysis the web series: Cuentos de Viejos Dematei M (2013), Campo Justo Raigoza M (2015) and Tonada al Viento Posada S (2020), in order to apply them in the development of a transmedia web series.
Infancia y violencia urbana: Una mirada al Realismo Sucio y el cine colombiano, 1998 - 2015. Animatic - El Refugio
Alarcón-Barrios, David Leonardo; Tapias-Herrera, Karen Samira; Galindo, Yamid
This research focuses on identifying aesthetic and narrative characteristics influenced by Dirty Realism as an artistic current, present in Colombian cinema, in which the concepts of childhood and urban violence intertwine to create a hostile urban context that is most likely possible.
Estudio sobre las técnicas de dirección de actores infantiles y su aplicabilidad en el cortometraje Con los pies de tierra.
Duarte-Hernández, Alexandra; Enríquez-Moreno, Andres Felipe; Granados-Ballesteros, Chari Vivianne; Osorio-Rodríguez, Daniel Eduardo; Aristizábal Santa, Johnnier Guillermo
The following document develops a search and conceptual description of children's cinema, cinema with children and the historical landmarks that include this characteristic in their form. Likewise, it enunciates various techniques for directing actors that allow to devise a structure on children's acting training and the possible applicability in the short film Con los pies de tierra. The methodology applies the concepts compiled about the direction of actors and the construction of child characters together with what is proposed in A proposal for comprehensive cinematographic analysis, as an analysis method for cinematographic works, segmented into three study components; method that is applied in two audiovisual works: Tú lo mataste and Detrás de la ciudad. The research and its application show the need to expand the theorization on the preparation of child actors and how inexperience in a production like Con los pies de tierra raises unexpected and unwanted situations that are affected by all the artistic departments of the production.
Arquitectura de los sueños: análisis y deconstrucción del montaje en secuencias oníricas
Villalobos-Criollo, Luis Alejandro; Carvajal-Osorio, Maria Camila; Moreno-Real, Nicolas; Rodriguez-Pardo, Alisson Paola; Aros, Andrés
The problem of the exercise of assembling dream sequences without having a guide or manual, is the basis that serves to research to find resources, characteristics and elements that share dream sequences chosen from the films: Sherlock Jr. (Buster Keaton, 1924), Jacob's ladder (Adrian Lyne, 1990) and Eternal sunshine of the spotless mind (Michel Gondry, 2004), based on the analysis obtained from the text " Film analysis: A comprehensive methodological approach” by Aristizabal and Pinilla in conjunction with the texts "the deaths of Colombian cinema" by Oswaldo Osorio and "the cinematographic montage" by Joan Marimón, which is reflected in the creation of a technical orientation framework, the content of which can be applied in any audiovisual sequence with dreamlike or dreamlike characteristics. Taking the adaptation of this framework as an example, the university short film Ópera prima, will be the starting point for a reflection on the practical creation of montage supported by a text.

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