Martínez-Rodríguez, David; Duque-Alonso, Andrés Nicolás; Daraviña-López, Harold; Aros, Andres Mauricio
The present investigation delves into the concept of romantic criminal related in turn to rituality within criminal fiction. For this, the Asian filmography of countries such as Japan, Korea and Hong Kong is taken as a starting point, thus establishing parallels between the crime fiction of these countries and the audiovisual product to be developed. On the other hand, we delve into the ritual dynamics found within Asian criminal cinema, thus analyzing the connection between crime, devotion, rituality and the profile of the romantic criminal. All of the above analyzed from the dissection of the black genre.
