Análisis contextual de la obra cinematográfica de Franco Lolli y su relevancia dentro de la historiografía del cine colombiano.

Abstract

The objective of this document is to carry out a contextual analysis of the work of the Colombian filmmaker Franco Lolli, in order to locate his work and artistic vision in the historiography of national cinema, for this, in principle, extensive documentation is developed on Colombian cinema and its most recurrent themes throughout its cinematographic history, likewise, analyze the relevance of the term “auteur cinema” in the local context and the principle of self-referentiality, since they are factors that must be taken into account when to analyze an author like Franco, intimate and personal. From this, the study of the different canons, narrative and stylistic classifications that Colombian critics and theorists have dared to launch will be carried out. Finally understand his role and his particular style within the new narratives of Colombian cinema deeply intimate with his creator; with characteristics typical of an auteur cinema, which are evidently reflected through its deepening of characters; the importance that this author has had in terms of the propulsion of Colombian narratives, from other points of view, and how his personal style is located as a unique voice within the historiography of Colombian cinema.