Browsing by Author "Galindo Cardona, Yamid"

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    Agarrando pueblo y Un tigre de papel: acercamiento a la realidad a través del falso documental
    Martinez Cruz, Brayan Stiben; Mahecha Donato, Lizeth Tatiana; Soler Daza, Laura Milena; Galindo Cardona, Yamid
    The research project is based on the search for the language of the mockumentary with the purpose of analyzing the national films, Agarrando pueblo and Un tigre de papel, for further reflection on the relationship of the genre with Colombian cinema trying to create own concepts that arise in this culture.
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    Cuentos cortos: segunda versión
    (Agustinian University Press) Romero Pinzón, Daniel Camilo; Ferro Gómez, Ana María; Salamanca, Geraldin Chuquen; González Ibarra, Erik; Arias Castellanos, Leydi; Rodríguez Sandoval, Dayan; Galindo Cardona, Yamid; Sánchez Tovar, Karen Natalia Pamela; Castro Torres, Lina María
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    Desdibujar y dibujar el relato oral: análisis del proceso de traducción intersemiotica en la obra de docuficción de Rubén Mendoza
    Ferro-Gómez, Ana María; Aguirre-Cuadros, Luisa Fernanda; Orbegozo-Albarracín, Michael Stiven; Olarte-Arciniegas, Cristian Erney; Galindo Cardona, Yamid
    The main objective of the text is to establish an intersemiotic translation model applicable to short and long-term cinematographic projects that have oral testimonies as a starting point and wish to take them to the film. In order to carry out this process, theories of analysis of both the story and the intersemiotic translation were identified; that were applied to creative processes already carried out such as Rubén Mendoza Tierra's films in the Language and Silvio's notebooks and in the process of creating the short film Pigs. This structuring defines an analytical and information compilation of those who provide their life or testimony and from this it is possible to understand the process of representation of reality, understanding that the translations of systems do not generate a fidelity of the story on the screen, but allow to maintain From the symbols, icons and signs similarities with the collected testimony.
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    Una mirada a la migración propia en Colombia representada en las obras cinematográficas “la tierra y la sombra” y “detrás de las montañas”
    Ardila Gil, Sebastián Alejandro; Garzón Chivará, Carlos Humberto; Irreño Pinilla, Thomas; Bautista Mondragón, Natalia; Galindo Cardona, Yamid
    The process of internal migration in Colombia has been a topic of great relevance since the beginning of its boom in the 50s; the cinema, in its role as a mirror that reflects the reality of society, has been commissioned to portray this phenomenon as of its arrival in the country. In the first part of the present investigation, the young adult is recognized as the main Colombian migrant and the lack of opportunities and internal conflict are identified as their main motivations when making the decision to migrate; Second, a list is made of the main Colombian films that talk about this topic and finally, the way in which this situation has been portrayed is explored, going into an even more specific analysis of one of the most successful films in the world. last decade, "Earth and the Shadow", comparing its migratory aspects as a case study, with the short film of our authorship, "Behind the Mountains".