Facultad de Arte, Comunicación y Cultura

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Browsing Facultad de Arte, Comunicación y Cultura by Author "Fresneda-Coca, Diego Fernando"

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    El expandir como estrategia de intervención en un edificio B.I.C (Villa Servita)
    Rodríguez-Villamil, Nicolás ; Camargo-Suescun, Santiago; Corrares-Wilches, Fernando Miguel; Pizo-Escalalnte, Karen Sofia; Fresneda-Coca, Diego Fernando
    This research presents a critical reflection on architectural intervention in Cultural Heritage Assets (BIC), taking Villa Servitá in Bogotá as a case study. Based on the concept of projectual expansion and the analysis of spatial strategies such as torsion and frontality, it proposes a renewed reading of heritage, understanding that these spaces should not be limited to static conservation, but should open up to new forms of use, relationship, and habitability. The methodology integrates an analytical matrix based on the inclusion, exclusion, conjunction, and intersection filters proposed by Alberto Gamboa (2013), in order to categorize and interpret different forms of heritage intervention. The architectural proposal seeks to activate Villa Servitá as an articulating node between past and present, capable of connecting the symbolic value of the place with contemporary social dynamics. The study emphasizes circulation as an articulating element between heritage and design, promoting a fluid integration with the urban context and allowing the cultural asset to regain meaning within the everyday life of the city.
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    El muro (La reinterpretación del muro y sus características arquitectónicas en la configuración del espacio)
    Alonso-Niño, Danna Valentina; Corrales-Wilches, Fernando Miguel; Pizo-Escalante, Karen Sofia; Fresneda-Coca, Diego Fernando
    The research proposes a reflection on the wall as an architectural element capable of transcending its constructive condition to become a device that generates spatial experience. From this perspective, the wall is understood not merely as a boundary or enclosure, but as a medium of projection that articulates relationships between space, movement, and perception, directly influencing how users inhabit and comprehend a place. The primary objective is to abstract the figurative definition of the wall in order to construct a system of analytical variables—articulation, reconfiguration, and integration—that allow the wall to be reinterpreted as an active element in the configuration of spatiality. These variables function as conceptual tools through which different modes of spatial organization, circulation, and mediation between interior and exterior can be identified. The development of these variables is grounded in a unitary analysis, objectively defined according to the specific requirements of the activity. This approach enables the establishment of a coherent relationship between form, use, and experience. In this way, the wall is conceived as an adaptable system capable of responding to spatial and programmatic dynamics, while integrating the notion of access not merely as a point of entry, but as an essential component in the sequencing and perception of the architectural experience of the user.