Revolución, artista y libertad. El nadaísmo en Colombia en los años 60´s una aproximación desde el documental poético.

Abstract

The purpose of this research is to describe the principles and aesthetic characteristics of Nadaísmo, a movement created in Colombia in the 60's, where it is revealed what it consists of and how it can be applied to the making of a poetic documentary, in both cases. avant-garde artistic movements, which seek to break with the established and/or traditional standards of the context in which they are located, for this a series of cinematographic analyzes were carried out on three non-fiction films; Tren de sombras (Guerin, 1997), María (Grau, 1966) and Paraíso (Guerrero, 2006), in order to study and learn about their cinematographic and thematic narrative characteristics, which will be interpreted and used in the short A Wrong Man , which manages to demonstrate in the first place, how both are born from the concerns and doubts of being and the way in which it is perceived from the complexities of making unusual artistic content and how art ends up being a reality-transforming tool that represents these postures in the spectators.